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Nell, suddenly right behind him, begins to scream, her face contorting into a grey, deadly vision before she disappears. Steven, frightened, turns to face whoever or whatever is in his home. He’s annoyed that she’s arrived unannounced, but before he can fully chastise her, Hugh calls with bad news: Nell is dead. After scaring her father Hugh (played by Timothy Hutton in the present) with a chilling phone call, Nell turns up in Steven’s apartment. The first episode of Hill House ends with a sting that sets the tone for the series. They were the only Crain children there for their mother’s final moments, and so they carry the weight of her absence. The two weave in and out of their older siblings’ lives, burdening them with their sharper anguish. The twins have fared worst in their mother’s absence: Nell (Victoria Pedretti) is clinically depressed and manic, and Luke (Oliver Jackson-Cohen) is addicted to heroin. Theodora (Kate Siegel), a child psychologist with psychometric abilities, lives in Shirley’s guest house, filling her void with booze and one-night stands. Shirley (Elizabeth Reaser) is a mortician who lives in a funeral home with her husband and two children. Steven (Michiel Huisman) is now the best-selling author of a book about his family’s paranormal experiences at Hill House, though he remains a skeptic. We spend most of our time with the grown-up, present-day Crains. The mystery of their mother’s final, fatal moments haunts them into adulthood. She dies, but we don’t know how because her children don’t know, and Hill House keeps us locked to their perspectives. One night, something tragic and mysterious happens - the exact circumstance is nestled in the show’s deliberately obfuscated storytelling - and Hugh flees Hill House with his children in tow, leaving Olivia behind. Hugh and Olivia initially chalk the kids’ anxieties up to childhood imagination, but Olivia soon falls under the same spell as her kids. Their five children - Steven (Paxton Singleton), Shirley (Lulu Wilson), Theodora (Mckenna Grace), and twins Nell and Luke (Violet McGraw and Julian Hilliard) - explore their new home, but are more trepidatious of it than their parents, feeding more directly off its malignity, seeing things only children might: specters in the dark, phantom bugs, rooms that shouldn’t exist.
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ANNABELLE 2 ENDING EXPLAINED FREE
Hill House follows the Crain family, who move into the eponymous mansion in the early ’90s with the intention of flipping it, selling it, and using the profit to build their “forever house.” Patriarch Hugh (Henry Thomas) is a loving, dedicated father and husband, and his wife Olivia (Carla Gugino) a dreamy free spirit with a maternal warmth that glows off the screen.
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It’s not a paranormal story so much as a meditation on the distinct way grief and trauma maim the living. The hidden ghosts of Hill House aren’t nameless spooks trapped between spiritual realms they are personal manifestations for the people they haunt, visual aids for the truths they must accept and vanquish. Creator and director Mike Flanagan crafts a wholly unique haunted-house fable - abandoning the book’s paranormal investigation plot - using the hollow halls of a disordered mansion to tell the story of the disordered family who lives there. Netflix’s new ten-episode horror series, The Haunting of Hill House, uses Shirley Jackson’s famous novel as a road map to explore this house-as-body metaphor, and it does so with a profound and precise tenderness. You climb the stairs and shout through the windows, hungry for a way out, lost in the labyrinthine sinew of personal devastation. Soon, you’re trapped in a house of its making: long hallways leading nowhere, empty rooms, doors that swing open and slam shut by the weather of your moods. Spoilers below for Netflix’s The Haunting of Hill House and its ending.